Normal Modes of a String
A string can only sing at certain notes: its harmonics.
Lesson at a glanceShow the key points
- Waves reflected back and forth along a string reinforce the source only if L = nλ/2: the string resonates.
- Fixed at both ends: νₙ = (n/2L)√(F/μ), n = 1, 2, 3, … (15.22, 15.26); fundamental ν₀ = (1/2L)√(F/μ).
- All harmonics (integer multiples of ν₀) are allowed; the nth overtone is the (n + 1)th harmonic. This is why strings make musical sounds.
- Normal mode n: y = 2A sin(nπx/L) cos ωt (15.27), with n − 1 nodes between the ends.
- A plucked string vibrates in a mixture of normal modes.
- Fixed at one end, free at the other: ν = (2n + 1)v/4L (15.28); fundamental v/4L and only odd harmonics.
A guitar string can’t vibrate at just any frequency. Its length, tension and weight pick out a ladder of special frequencies, and those are the notes it plays.
How resonance builds up
Tie one end of a string of length L to a wall and the other to a tuning fork vibrating gently along the string. The fork sends sine waves toward the wall; they reflect (inverted) at the fixed end and travel back; the heavy, barely moving fork acts like another fixed end and reflects them again (inverted again). After two reflections a wave has the same shape as the fork’s new output but has travelled an extra 2L.
If 2L is a whole number of wavelengths (L = nλ/2), the old wave and the new one are in step: they add to amplitude 2A, then 3A, and so on. The string soaks up energy from the fork until losses (air drag, stiffness) balance the input. The steady state is a standing wave with large antinodes: the string is in resonance with the fork. If the condition fails, successive reflections arrive out of step, the build-up doesn’t happen, and the string barely moves.
A string fixed at both ends
Analytically, waves travelling each way add to a standing wave. Both ends must be nodes: y = 0 at x = 0 fixes the phase, giving (15.24), and y = 0 at x = L needs , so :
These are the string’s natural (normal, resonant) frequencies. Frequencies above the fundamental are overtones; integer multiples of a frequency are its harmonics. For a string fixed at both ends, every harmonic is an allowed overtone: the first overtone is the 2nd harmonic, the second overtone the 3rd harmonic, and so on. That neat harmonic ladder is why strings make such musical sounds, from the violin to the sitar.
Normal modes
Vibrating at its nth natural frequency, the string is in its nth normal mode:
- Fundamental (n = 1): nodes only at the ends, one antinode in the middle.
- First overtone (n = 2): a node at the middle, antinodes at L/4 and 3L/4.
- Second overtone (n = 3): nodes at L/3 and 2L/3, antinodes at L/6, L/2, 5L/6.
- In general the nth overtone has n nodes between the ends and n + 1 antinodes.
A guitar string has a vibrating length of 65 cm, mass per unit length 4.0 g/m and tension 70 N. Find its fundamental frequency and its third harmonic.
A string fixed at one end only
Fix x = 0 but let x = L move freely sideways (in practice, tie it to a very light thread). Then x = L must be an antinode: , so and
Waves travel at 40 m/s on a 1.0 m string fixed at one end and free at the other. List its three lowest natural frequencies.
- 1Repeated reflections reinforce the driver only when L = nλ/2: resonance.
- 2Fixed both ends: ; all harmonics occur.
- 3Normal mode n: y = 2A sin(nπx/L) cos ωt, with n − 1 internal nodes.
- 4A pluck excites a mixture of modes.
- 5One end free: ; odd harmonics only.
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Keep exploring
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